It’s hard to see in the picture, but there are two soft indentations on either side of the pourer, so it sits comfortably in your hand when holding. The spout is long and slender, and only the perfect controlled drizzle flows out (no accidental gulps). I had never used an oil pourer, until I owned this one, and I didn’t realise how much pleasure it could give me, I recommend it to anyone who will listen.
Tamara once explained to me that it is nearly impossible to design a spout that will pour oil without a dribble, so instead the pourer has been designed to embrace the inevitable dribble, and sits upon a turned timber base, that absorbs and is nourished by the excess oil, without leaving a mess on my bench.
Tamara works from her studio at the JamFactory centre for contemporary Craft and Design in Adelaide, where she has recently completed an associatship. Tamara’s ceramics revolve around the idea of imperfect beauty. Forms are deliberately altered or taken out of symmetry. Swollen bellies are added to some, and deliberate indents to others. Tamara is inspired by human form and her work comments on what is perceived as beautiful in our society. The work is about self-expression, personal narrative and social comment. By pushing forms out of the symmetrical, the idea of perfect, flawless beauty is lost, and the beauty of the unusual is highlighted.
I hope you are keeping well and warm,